It’s the one-two punch of her “needed another take” death scene and her character’s true identity being the world’s worst kept secret that brought the portrayal down.Ĭonversely, Anne Hathaway- who originally thought she was auditioning to play Harley Quinn– turned in a fantastic performance as Selina Kyle, yet she hardly gets brought up outside of “rank the best Catwoman” posts. Her performance is generally good, save for one widely-maligned scene toward the end of the film, and she does some solid work with the somewhat underwritten material. ![]() Marion Cotillard’s “Miranda Tate” has had a bit of a reputation as well, but for all the wrong reasons. Hardy always commits everything to his roles, and he made this very unique take on Bane very entertaining. Endlessly referenced and parodied, and with elements that made their way into cosplay circles, comic books, and even The LEGO Batman Movie and the Harley Quinn series, it was a big, bombastic performance in all the best ways. If any one element of the movie has persisted in popular culture, it’s Tom Hardy’s Bane. The Bat just wasn’t that memorable, all be told. ![]() There have been tons of Batmobiles throughout the years, and the Tumbler has a decent chance of popping into someone’s head when you ask about Batman’s cinematic vehicles, but chances are that if you say “think of a Batman vehicle that flies,” most people will picture the Batwing from 1989’s Batman. The Dark Knight Rises gave us another new vehicle with the Bat, which should have been awesome, but instead it just looked like a floating Tumbler. Just look at the vehicles from each film: everyone remembers the Tumbler from Batman Begins, and the Batpod from The Dark Knight is just as popular as its four-wheeled counterpart. That doesn’t totally excuse the story’s weaknesses, mind you, but it does help to better understand their intent. Knowing that Christopher Nolan and his brother Jonathan were inspired by A Tale of Two Cities, it’s easy to see the story as an exaggerated legend as opposed to a truly straightforward narrative. It might be lacking as a “definitive Batman story,” given its time jump after the previous film and Bruce’s desire to hang up the cowl for good, but it fits thematically as the de facto conclusion to this particular story. It did not– and could not– reach the heights of its predecessors, and has some glaring flaws that keep it from true greatness. ![]() Having rewatched it recently, it’s… pretty good. Somehow, it has been ten years since this film premiered, even though in some ways it feels like it just came out yesterday. Upon its release, The Dark Knight Rises was a bonafide hit, with positive reception from both audiences and critics, and it made a mint to boot, earning over a billion dollars at the global box office. All of the major players in the cast would return, with series newcomers like Tom Hardy, Anne Hathaway, Marion Cotillard, Joseph Gordon-Levitt, and Ben Mendelsohn joining the fray. ![]() Over time, pieces started coming together, painting a picture of what the final chapter of “The Nolan Trilogy” would end up looking like: a sprawling epic that would deal with the aftermath of The Dark Knight‘s finale, taking elements from stories like Knightfall and No Man’s Land, with the villainous Bane the latest– and possibly final– villain to cross this version of Batman.
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